Rosie Miles
Brudenell Social Club, Leeds.
14+ only. 14s to 17s must be accompanied by an adult. No refunds will be given for incorrectly booked tickets.
More information about Rosie Miles tickets
Alt-folk singer songwriter Rosie Miles is a storyteller whose soaring melodies and poetic lyrics serve as her ink and pen. ‘A gifted and charismatic songwriter’ (Tom Robinson, BBC Radio 6) inspired by Joni Mitchell, Madison Cunningham, and Laura Marling, her music dances effortlessly between the worlds of Indie, Folk & Jazz, evoking a welcome nostalgia of the 70s songwriter movement. Rosie’s deeply personal and peculiar style guarantees a night of tears, laughter and classic songwriting. After the success of her anthemic debut EP ‘Still Life’, which was an intricate and cathartic lament of her self-paralysis during the stillness of 2020, Rosie went back to the studio alone to record her most personal songs exactly as she had written them: with just her and her guitar. Due for release in Autumn 2023, her forthcoming EP ‘Meet You in the Morning’ sees her stripped back to the bare bones both musically and lyrically as she explores the quieter and more solitary side of grief, healing and friendship. Known for her captivating performances blending powerful vocals and off-the-cuff anecdotes that make each show unreplicable, Rosie has performed across the country, including support slots for Tom Robinson, Rosie Frater-Taylor and O’Hooley & Tidow. Her debut EP ‘Still Life’ received support from Music:Leeds Launchpad+ Programme, BBC Radio 6 and BBC Introducing as well as press coverage in Folk Radio UK, For The Rabbits and Triste Magazine. “Gifted and Charismatic Songwriter’ - Tom Robinson, BBC Radio 6 “Exquisite” - Emily Pilbeam, BBC Introducing “Rosie Miles captivates…She lets us inside her head and life” - Folk Radio UK “haunting and achingly beautiful” - LSF “a voice that is hard not to fall in love with” - Triste Magazine “exploring familiar narratives with an extraordinary vulnerability” - Triste “recalls the singer-songwriters of the early seventies, but which remains completely personal and peculiar.” - Triste Magazine